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和新褲子逛美術館別苦悶要快活
2020-01-11 18:36   来源:  www.myviphealth.com   评论:0 点击:

和新褲子逛美術館別苦悶要快活2020年3月7日,新裤子《最后的乐队》巡演将在上海梅赛德斯奔驰文化中心开唱,

  2020年3月7日,新裤子《最后的乐队》巡演将在上海梅赛德斯奔驰文化中心开唱,1月10日开启预售。去年3月,他们已经登上过北京工体。上海梅奔和北京工体之间的那个夏天,一档综艺节目把这支逾二十年的老乐队推上知名度的高峰。

On March 7,2020, the new pants \"The Last Band\" tour will open at the Mercedes-Benz Cultural Centre in Shanghai and open for pre-sale on January 10. In March last year, they had already boarded Beijing. A variety show that summer between shanghai's mepburn and beijing's industrials propelled the band, more than two decades old, to fame.

  1月7日,新裤子在上海西岸美术馆出席发布会,送给媒体的伴手礼是一件明亮的黄色T恤,上面写着大大的“新裤子”,“新裤子?明明是件衣服啊。”

On January 7, the new pants attended the launch at the Shanghai West Bank Art Gallery, giving the media a bright yellow T-shirt with big \"new pants\" and \"new pants? It's obviously a dress.

  摩登天空的沈黎晖是这场发布会的主持。四分之一个世纪之前,他是彭磊和庞宽在北京工艺美校的学长,“清醒乐队”的主唱。后来又变成俩人的老板,交情匪浅。

Shen Lihui of modern sky is the host of this press conference. A quarter of a century ago, he was the lead singer of the sober band between Peng Lei and Pang Kuan at the Beijing Arts and Crafts School. Then he became the boss of the two men.

  签约摩登天空22年的新裤子,是合辑《摩登天空1》的元老,在中国摇滚乐队的浮沉中一直处于比较安全的地带。当然他们也看过很多浮沉,无名小卒一鸣惊人,红炸了的倏忽不见,什么幺蛾子没见过。“乐夏”带来的一战成名的荣光,新裤子也就没太放在心上。不少参赛乐队在赛制和氛围的影响下难免真情流露,新裤子一直保持比较冷静。

Signed for 22 years, the new pants are the elder of the modern sky 1 and have been relatively safe in the chinese rock band's slump. Of course, they have seen a lot of the floating, the nameless a surprise, the red explosion suddenly disappeared, what moth has not seen. The glory of the first world war fame brought by \"Le Xia \", the new pants are not too much to care about. Many of the bands in the competition and the impact of the atmosphere will inevitably show true feelings, the new pants have been more calm.

  确实也没什么太值得高兴的。“乐夏”之后,他们最红的歌,依然是折腾了一圈后回归大众审美的“土摇”歌曲。旋律上头,苦乐参半,号召所有人跳舞,好忘掉废弛无力的现在。

There's really nothing to be happy about. After \"Le Xia \", their most popular song, is still a circle after the return to the public aesthetic\" earth shake \"song. At the top of the melody, bittersweet, called on everyone to dance, to forget the powerless present.

  节目里,彭磊讲了一句没人敢讲的大实话:“看到这些乐队的时候,说实话有点伤心,因为大家到现在为止还是特别平凡。虽然心态比当年好多了,但大家都老了”。

On the show, Peng Lei told a big truth that no one dared to tell:\" When I saw these bands, it was a little sad to tell the truth, because everyone is still very ordinary so far. Although the mentality is much better than that, but everybody is old.

  发布会前,媒体跟着新裤子的三位成员逛美术馆。黄浦江畔新开的西岸美术馆与蓬皮杜中心有个五年合作项目,常设展“时间的形态”和新媒体展“观察”正在进行中。

Before the launch, the media followed three members of the new pants to the gallery. The new west bank gallery on the huangpu river has a five-year co-operation project with the pompidou center, with a \"form of time\" and \"observation\" in the new media exhibition.

  然而分享总是艺术家的原初动力。他们明显对互动性强的“观察”展更感兴趣。在彼得·坎普斯的《界面》前驻足最久,仔细观看投射在镜中的多重身影。

Yet sharing is always the original motivation of the artist. They are clearly more interested in the interactive \"observation\" exhibition. Standing in front of Peter Campos's Interface for the longest time, look closely at the multiple figures projected into the mirror.

  几天前的某品牌新影像艺术展里也有彭磊和庞宽的作品。都与音乐有关,彭磊造了一个可参与的虚拟世界,庞宽做了一个机器人与迪斯科的梦。

A few days ago there were works by Peng Lei and Pang Kuan at a brand new art exhibition. All related to music, Peng Lei created a virtual world to participate in, and Pang Kuan had a dream of robots and discos.

  整个二十世纪,现代艺术被一次次的人类进步激发豪情,像奔向春天的人脱掉层层衣物。只是,挤压掉空气,表现物质特质的立体主义(毕加索《吉他手》),用纯粹色彩和几何拨动心弦的《黄红蓝》(康定斯基),还有所有那些表面剧烈凹凸,色彩横流的画们,在今日语境中与当年的震撼已不可同日而语。杜尚的现成品《自行车轮》理所当然地静立角落,打破和开创的成为过去,几乎没有人驻足。

Throughout the twentieth century, modern art has been inspired by human progress over and over again, like people heading for spring to take off layers of clothing. However, cubism that squeezes out the air, represents material traits (picasso \"guitarists \"),\" yellow and red blue \"(kondinsky), which tugs on the chords of pure color and geometry, and all the pictures of the intensely concave and cross-colored, are no longer the same in today's context. Duchamp's ready-made product,\" Cycling Wheels,\" rightly stands in the corner, breaking and pioneering into the past, almost no one stops.

  但现代主义艺术理念的确有助我们更好地适应时代。今天,我们观看的视野已被它重新塑造。拼贴艺术仍然魅力无穷。湖南卫视和B站的跨年晚会上,彭磊分别与大张伟和新裤子队友们登场,分身术本来就是现代主义的奇景。

But modernism really helps us adapt to the times better. Today, the vision we watch has been re-shaped. Collage art is still fascinating. At the New Year's Eve party at Hunan Satellite TV and B Station, Peng Lei and Da Zhang Wei and his new pants team-mates made their debut respectively.

  解构与重组的狂欢在大数据的精心计算下达到最佳效果。正因如此才不会奇怪,为什么彭磊和大张伟合唱的《我们羞于表达的情感》一副没有好好排练的粗糙形态,却仍有动人之处。

Deconstruction and reorganization of the carnival under the careful calculation of big data to achieve the best results. Because of this, it is not surprising why Peng Lei and Da Zhang Wei's chorus of \"We are ashamed to express the emotion\" a rough shape without good rehearsal, but there is still something moving.

  它是整台晚会的物质素材之一,所求并不是完美。而是某种台上台下人心知肚明,可以用来向主流规则宣告自我存在的东西。摇滚朋克啊也是这样。

It's one of the material for the whole party, and it's not perfect. It's something that people on and off the stage know to tell mainstream rules about themselves. Rock and roll punk, too.

  “传统艺术有服务性,现在不用了解(作品)背后的意思,也可以欣赏。”这是彭磊的观展感言,也是新裤子常年摸索并践行的艺术理论。“我们写的东西不用想,直觉最重要。”

“Traditional art is serviceable and can now be appreciated without understanding the meaning behind it." This is Peng Lei's speech, but also the new pants to explore and practice the art theory. "We don't have to think about it. Intuition is the most important thing.

  所以早年的朋克适合他们,迪斯科适合他们,新浪潮/国潮都适合他们。核心只有一个,要永远戏谑、有趣、昂扬、充满感官刺激,像真有纯粹的快乐那么回事儿,但末了必须藏一两句真话,亮一亮真心。

So early punk suits them, disco suits them, and new waves\/states suit them all. There's only one at the core, always bantering, funny, high-spirited, full of sensual thrills, like the sheer joy of things, but at the end of the day it's necessary to hide a truth or two and shine a light on the truth.

  如果一定要选一位展览中的艺术家合作,庞宽选杜尚。彭磊为他补充:“中国的当代艺术家都挺苦闷的,在家抽烟喝酒什么的。不像杜尚,很现代。”

If you have to work with an artist in the exhibition, Pang Kuan chooses Duchamp. Peng Lei added:\" Chinese contemporary artists are very depressed, smoking and drinking at home and so on. Unlike Dushanbe, it's modern.

  现代嬉闹的新裤子,总是让人猜不透下一步是什么,会写出什么风格大变的歌,搞出什么作品,拉黑谁,何时说一段真心话。为巡演取名“最后的乐队”,是否真的对这一届年轻人信心匮乏。

The modern romp of the new pants, always let people wonder what the next step is, will write what style changes, what works, who blackened, when to say a true heart. Whether naming the tour as \"the last band\" really lacks faith in this young man.

  离开美术馆前,拐进入口处一个“奇怪”的展。空旷煞白的空间里,种种设计欲让进入者想象风暴过境,雷声轰鸣,美术馆所有项目因情况紧急临时关闭。它要求我们调动所有的感官细胞参与这场洪水演习。

Before leaving the gallery, turn into an \"odd\" exhibition at the entrance. In the empty, white space, various designs are designed to allow visitors to imagine the storm crossing, the thunder roaring, and all the art gallery projects being temporarily closed because of the situation. It requires us to mobilize all sensory cells to participate in this flood drill.

  这和新裤子的现场倒是相当契合。同样占据很大的空间,同样声明无需思考,直达感官。但艺术家还是有期冀,希望“洪水冲去我们曾经的自满和短视”。新裤子的期冀是什么呢?“乐夏”之后,他们表示了“不想靠说话挣钱”(虽然彭磊作为飞行嘉宾还是上了《奇葩说》)。

It's quite a match for the scene with the new pants. It also takes up a lot of space, and it also states that there is no need to think directly to the senses. But artists are hoping to \"flood our once complacent and shortsighted \". What are the expectations for new pants? After \"Le Xia \", they said\" don't want to talk to make money \"(although Peng Lei as a flying guest or on the \"Strange Say \").


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